Sophisticated colour correction and colour management from the beginning of any production right through to the end, and for...

This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to apply LUTs to footage in Final...

I shot V-Log L on the GH4 and graded it back to match Cinelike D, comparing internal and external...

If you were like me and the thousands of other attendees at this past year’s NAB conference when SmallHD...

After much experimentation, and a bit of failed hacking, I’ve come up with a good full-range Cine-EI LUT for...

A new, free app gives us the power to mix and match LUTs—even between cameras! This is what happened...

Sony’s Cine-EI mode is both a blessing and a curse. Here’s how to work to its strengths and around...

The days of setting exposure with zebras set at white clip are most likely over. Here’s a new technique...