A reportage lens with revolutionary technology
The Canon EF 35mm f/1.4L II USM, successor to the legendary EF 35mm f/1.4L USM, from 1998, is the...
The end of “Big Optics” in photography
In the middle of the last century, observational astronomy had hit a wall. Larger telescopes were needed to see...
Veydra cine primes to gain E- and C-mount options; 12mm to ship in September
It’s been a busy week for affordable cine primes, with the Samyang XEENs announced Monday and Veydra’s announcement today...
Preview: SLR Magic ANAMORPHOT 2.0x 50 anamorphic adapter
The SLR Magic ANAMORPHOT 2.0x 50 is an anamorphic adapter with the classic Cinemascope 2:1 squeeze ratio, designed to mount in...
Canon EF 50mm f/1.8 STM: The New Nifty Fifty
Compact and lightweight, the new 50mm lens from Canon features STM (Stepping Motor Technology), meaning it was conceived with...
REVIEW: RT Motion MK3.1 Remote Follow Focus Kit
RT Motion’s MK3.1 should be on the radar of anyone looking for a system that can grow with them… ...
Canon Shows 4K Broadcast Zoom Lens at NAB 2015
Developed as a new model in Canon’s DIGISUPER series of studio and field broadcasting lenses, which have garnered high...
Inside the After Effects camera
One of the most powerful features of After Effects is the ability to work with 3D layers and a...
