P + S Technik’s 1.5x 35-70mm Anamorphic Zoom
There I stood in Wooden Camera’s booth at NAB 2016. The woman in front of me cocked her head...
PVC Talks To SLR Magic About 2 New PL Lenses: NAB 2016
I little over a year ago SLR Magic announced, and produced, the APO-HyperPrime CINE 50mm T2.1 PL Cinema Lens. It...
Throwback Thursday: Zeiss Eye Candy
I attended a local tradeshow...
Things you didn’t know about color matching lenses
Lens color hasn’t been on my radar until recently. I didn’t know how much I didn’t know until I...
Blackmagic Extends Lens Mount Options for USRA Mini
Blackmagic adds B4 lens mount option to the URSA Mini and URSA Mini 4.6K
New glass: SLR Magic ANAMORPHOT-CINE primes
Hong Kong’s SLR Magic has just announced the development of two sets of anamorphic primes: 1.33x and 2.0x. The sets...
Tips And Gear For Your First Paid Video Gig
So you have booked your first video gig and you have a small amount of startup capital to get...
A reportage lens with revolutionary technology
The Canon EF 35mm f/1.4L II USM, successor to the legendary EF 35mm f/1.4L USM, from 1998, is the...
The end of “Big Optics” in photography
In the middle of the last century, observational astronomy had hit a wall. Larger telescopes were needed to see...
Veydra cine primes to gain E- and C-mount options; 12mm to ship in September
It’s been a busy week for affordable cine primes, with the Samyang XEENs announced Monday and Veydra’s announcement today...
