Blackmagic Design Joined The New Netflix Post Technology Alliance
Blackmagic Design has joined the new Netflix Post Technology Alliance and that DaVinci Resolve, its professional editing, visual effects, motion...
The simplest interview setup ever: the modern update
Many years ago I wrote about the simplest interview lighting setup ever. Here’s my modern take on that same...
THE ARRI ALEXA LF and Leica M0.8 Prime lenses In Nashville
I like to see new cameras, but more importantly, I like getting my grubby hands on them to see...
Speed lighting: more lessons from the ARRI Academy
The ARRI Academy isn’t only about learning how cameras work. We also teach how to use them. I’ve never...
ARRI Signature Primes: the conscious design of softness
This is a story about a lens family whose soft focus backgrounds were consciously designed, and the lens mount...
SONY VENICE 3.0 FIRMWARE & EXTENSION HEAD ANNOUNCED
Sony continues to follow their announced roadmap of upgrades and added features to their Full Frame flagship camera VENICE....
A Panasonic EVA1 Camera Review – A Shooter’s Camera
There I was in my office packing and planning for a network shoot. Before me, sat a handful of...
Working With Clients – 28 Weeks of Post Audio
Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...
Manfrotto Pro Light Cinematic Camera Bags Review: Balance and Expand
Do you ever feel like you spend more time carrying your gear from point A to point B, or...
Sony FS5 Mark 2 Camera Review: Looking At The New Color
Yes, the Sony FS5 Mark 2 looks exactly like the original with one exception, the filter wheel on the...
