Why We Need Color Correction
The tools of our trade have been commoditized. Everyone can perform the job of seasoned video and film professionals,...
Sneak peeks at Adobe Max 2014: Editing, animation, audio, and design
In addition to a new family of iOS mobile apps and enhanced Creative Cloud 2014.1 desktop tools, Adobe previewed...
Know the Pro: Stu Maschwitz
This article series, to be posted once a month, will focus on one person in the Film or Television...
Locking Fonts in Final Cut Pro X
Why would you want to “lock” a font? That's a question we tackle in this week's MacBreak Studio, where...
New Creative Cloud and mobile apps at MAX 2014
Today at Adobe MAX 2014, Adobe released a new family of iOS mobile apps and enhanced Creative Cloud 2014.1...
After Effects World keynote by Andrew Kramer
Andrew Kramer presented the keynote at the 2014 After Effects World conference and made it available on Video Copilot....
Premiere Pro News Notes #10
Here's another collection of news on tutorials, tips, and related tools assorted with Adobe Premiere Pro. Things have been...
Multi-screen Multicam in Final Cut Pro X
Putting the Angle Viewer into the Timeline? That is essentially what Steve Martin from Ripple Training shows us how...
Adobe at IBC 2014 – the show in review
It felt like summer in Amsterdam, host city for the International Broadcasting Convention, Europe’s largest industry tradeshow. Inside the...
Useful Tools for Editors: The Denoise Edition
Here we are back again with another round of Useful Tools for Editors. Today there’s a few things that...
