A tour around Avid Media Composer 5.0’s interface changes
With any big software upgrade there’s going to be changes. Some visible, some not so visible. Personally, I love...
Magic Bullet Grinder grinds your DSLR footage into a more editable format
Red Giant Software has just dropped a new tool into the family of Magic Bullet products and it might...
The DV Show lists 14 FREE FCP tools. Here’s 14 paid ones as well.
The DV Show dropped a great post over the weekend that answered a question from one of their readers:...
The exodus from Final Cut Pro to Adobe Premiere CS5 has begun
On April 5th, 2010, I published the article Will Adobe’s new Mercury technology provoke a sudden exodus from Final...
Review: MC Color control surface
A bit earlier this year Euphonix began shipping its highly anticipated MC Color control surface. This unit was designed...
Creative Suite 5 is Shipping
Less than three weeks after “launching” Creative Suite 5 at NAB, Adobe has started shipping it, including After Effects...
Get for Final Cut Pro enables phonetic searching of media
Above is a short iPhone-originated RealTime video of a new Final Cut Pro companion application called get, from AV3...
Avid’s web-based editing demo
Yesterday I sat through Avid’s web-based editing demo. I wasn’t sure what to expect as the idea of editing...
Core Melt’s Lock & Load X
Core Melt will be updating their fast image stablization plugin for Final Cut Pro, Lock & Load, to include...
NAB 2010: Sony, Sunday Night
The PL-mount 35mm SRW-9000, with a 2/3″ SRW-9000 in the background. I arrived in Las Vegas late on Sunday,...
