Colour grading in your DSLR or in post
While for many cinematographers the ideal path goes through a colour correcting and colour grading process in post, something...
Review: the first NANO USM all-terrain lens from Canon
Available only for APS-C cameras, the EF-S 18-135mm f/3.5-5.6 IS USM announced on 17 February 2016 is the first...
The best REAL DSLRs for video in 2016
Some say it was by mistake, but the truth is that Canon created the trend of using DSLRs for...
A 3-in-1 microphone for Canon DSLRs
Designed to complement the movie quality of the EOS range, the Directional Stereo Microphone DM-E1 is a versatile microphone...
How to deal with huge panoramas viewed online
Panoramas are something that became second nature to me since digital arrived. The possibility to create, with digital stitching,...
Edelkrone: new follow focus, jib, rig and stand
The new follow focus accessory, FocusONE, from Edelkrone, is optimized for the camera operators with marker-free, super precise focus...
New 18mm Zeiss Batis for Sony E-mount
The new Zeiss Batis 18mm f/2.8, which Zeiss calls 2.8/18, expands the family of full-frame lenses for Sony cameras...
A digest of last week’s photo and video news – Week 13
A digest of last week’s news is a selection of some of the news from week 12 from 2016...
No Dual Pixel AF for the EOS Rebel T6
Without Dual Pixel AF but with a new mode, Food Mode, the new Canon EOS Rebel T6 is a...
Gold Award for Canon EF 100-400mm f/4.5-5.6L IS II USM
In April 2015 I published here at Pro Video Coalition a review of the Canon 100-400mm f/4.5-5.6L IS II...
