After Effects & Performance. Part 2: What After Effects actually does
When discussing the history of After Effects and performance, there’s one single, critical, all encompassing factor that we have...
After Effects & Performance. Part1: In search of perfection
Introducing the Introduction When it comes to After Effects, “performance” is a complicated topic. The notion of performance affects...
At last, easy Blend modes come to Avid Media Composer
Blend modes, composite modes, whatever you want to call them, they have been elusive in Avid Media Composer since...
AE Project Diary: 9) Digital van replacement
In July last year I began work on a number of vfx shots for a short film called “At...
Advanced keying with After Effects: Part 5
In the fifth and final part of this series on keying, I’ll demonstrate a range of compositing techniques to...
REVIEW: Red Giant VFX Suite
Red Giant Software has been developing After Effects plugins for over 15 years, and today they’ve launched their newest...
Advanced keying with After Effects: Part 4
The point of using a chromakey plugin is to generate a matte / alpha channel based on the colour...
Advanced keying with After Effects: Part 3
Keylight is, in general, the best chromakey plugin that comes with After Effects. Although there are other 3rdparty plugins available...
Advanced keying with After Effects: Part 2
In Part 1 I did a quick overview of the most commonly used keying plugins for After Effects. Regardless...
Advanced keying with After Effects: Part 1
Nothing says visual fx like a greenscreen. The image of a film set covered with blue or green fabric...