Quick Look: Tokina Cinema Vista 50mm T1.5
Cinema Vistas are Tokina’s line of no-compromise, full-frame cine lenses. Five T1.5 primes from 18mm to 85mm are currently...
Review: Canon C700 FF Cine Camera, Part 2
Operation For the most part, operating the...
Review: Canon C700 FF Cine Camera, Part 1
Canon’s C700 FF is a full-frame version of the C700, Canon’s first “conventional” Cinema EOS camera. Unlike the C100,...
Visit VENICE… in San Francisco!
The Digital Cinema Society is coming to San Francisco on May 23rd to showcase Sony’s latest digital cinema camera, the...
PNW Lens Summit, May 5th, Portland OR USA
Quick note: if you’re coming to Portland OR for the PNW Lens Summit, you can get 20% off lodging at...
Pix: Venice in Portland
Sony’s Venice full-frame CineAlta camera had its Portland debut at Koerner Camera today, courtesy of BandPro‘s Jeff Cree. At...
Quick Look: Metabones CINE mount adapters
One of the pleasures of mirrorless, short-flange-depth cameras is the freedom to use a wide variety of lenses via...
Review: Panasonic AU-EVA1 4K Cine Camera, part 3
This is part 3 of a three-part review; there’s more in part 1 and part 2 [Updated 8 Jan 2018...
Review: Panasonic AU-EVA1 4K Cine Camera, part 2
This is part 2 of a three-part review; there’s more in part 1 and part 3 Display The LCD monitor...
Review: Panasonic AU-EVA1 4K Cine Camera
Panasonic’s $7,345 AU-EVA1 is a Super35mm single-sensor camcorder with a 5.7K Bayer-mask sensor, an EF lens mount, variable frame...
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Post Production
From the NAB Floor | Amove
Post Production
