ART OF THE CUT with Oscar Nominee Chris Tellefsen, ACE
Chris Tellefsen, ACE, has more than 30 credits as an editor, including The People vs. Larry Flynt, Flirting with Disaster,...
Serving the Technical and Creative Needs of Production and Post Professionals with the Avid NEXIS | PRO
The ways in which technology has changed and impacted professionals in media & entertainment are as apparent as they...
ART OF THE CUT with Oscar Nominated “Moonlight” editor Joi McMillon
Today Art of the Cut speaks with Joi McMillon who was recently nominated for an Oscar for Best Editing...
The Editblog’s 2017 NLE Buyer’s Guide
It’s a new year and 2017 is a year unlike any other in terms of the technology we have...
ART OF THE CUT with Oscar winner William Goldenberg, ACE
William Goldenberg, ACE was nominated in 2013 for TWO Oscars for Best Editing: for Argo and Zero Dark Thirty,...
ART OF THE CUT with Maryann Brandon, ACE on cutting Passengers
A year ago, Maryann Brandon was nominated for an Oscar for Best Editing for Star Wars: The Force Awakens....
ART OF THE CUT with Manchester by the Sea’s Jennifer Lame
Jennifer Lame started working as an assistant editor on TV shows like 30 Rock and Smash before joining editing...
ART OF THE CUT with Oscar Winner Hughes Winborne on “Fences”
Hughes Winborne, ACE, is an Oscar-winning editor (Crash, 2005) who has cut more than two dozen feature films including...
ART OF THE CUT with “Nocturnal Animals” editor Joan Sobel
Joan Sobel, ACE began as first assistant on such films as both of Quentin Tarantino’s Kill Bill films. She...
ART OF THE CUT with Jabez Olssen on editing “Rogue One”
Jabez Olssen has had a career any editor would be envious of, from his first assistant editor gig on...
