ART OF THE CUT with “IT” editor, Jason Ballantine, ASE
Jason Ballantine, ASE (Australian Screen Editors) has been in the film industry since 1992 and is currently living in...
ART OF THE CUT with Oscar Winner Alan Heim, ACE
Alan Heim is the former President of American Cinema Editors and is the current President of the Motion Picture...
ART OF THE CUT with Jake Roberts, ACE on “Hitman’s Bodyguard”
Jake Roberts, ACE was recently nominated for an Oscar and an EDDIE for his editing on Hell or High...
Script Based Editing: Avid’s Untapped Ecosystem
For the editing of films, TV shows and other videos in the art of narrative storytelling, many if not...
ART OF THE CUT with Michael Berenbaum
Michael Berenbaum, ACE won two Emmys and two Eddies for Best editing for Desperate Housewives and Sex and the...
ART OF THE CUT with Oscar nominated editor, Lee Smith, ACE on DUNKIRK
Lee Smith, ACE has cut numerous films with Christopher Nolan, including Interstellar, The Dark Knight Rises, Inception (for which...
ART OF THE CUT with Atomic Blonde editor Elisabet Ronaldsdottir
Elisabet Ronaldsdottir was born and raised in Reykjavik, Iceland and has been editing film at home and across Europe...
ART OF THE CUT with Paul Machliss on Baby Driver
Paul Machliss is a UK-based editor who has been in TV and film post since the late 1990s. Machliss...
ART OF THE CUT with the editor of “War for the Planet of the Apes”
William Hoy, ACE got into the editor’s seat on feature films back in the mid-‘80s. One of his first...
ART OF THE CUT with Despicable Me 3 editor, Claire Dodgson
Claire Dodgson has been working on animated films since starting as 2nd assistant editor on Corpse Bride (2005). She...
