ART OF THE CUT with Maryann Brandon, ACE on cutting Passengers
A year ago, Maryann Brandon was nominated for an Oscar for Best Editing for Star Wars: The Force Awakens....
ART OF THE CUT with Manchester by the Sea’s Jennifer Lame
Jennifer Lame started working as an assistant editor on TV shows like 30 Rock and Smash before joining editing...
ART OF THE CUT with Oscar Winner Hughes Winborne on “Fences”
Hughes Winborne, ACE, is an Oscar-winning editor (Crash, 2005) who has cut more than two dozen feature films including...
ART OF THE CUT with “Nocturnal Animals” editor Joan Sobel
Joan Sobel, ACE began as first assistant on such films as both of Quentin Tarantino’s Kill Bill films. She...
ART OF THE CUT with Jabez Olssen on editing “Rogue One”
Jabez Olssen has had a career any editor would be envious of, from his first assistant editor gig on...
ART OF THE CUT with “La La Land” editor Tom Cross
Tom Cross, ACE won the 2015 Oscar for Best Editing for the film “Whiplash,” which was hailed as an...
ART OF THE CUT with Mark Day of Fantastic Beasts
Mark Day and Harry Potter are probably on a first name basis. He’s edited four of the Harry Potter...
Black Friday extended… again
We’ve had Black Friday and Cyber Monday, and the shopping season continues until the very end of 2016 and...
ART OF THE CUT with Joe Walker, ACE, on “Arrival”
Readers who follow Art of the Cut will be familiar with Joe Walker, ACE. I originally talked to Walker...
ART OF THE CUT with the editors of Stranger Things
Kevin Ross and Dean Zimmerman are the editors behind the cultural phenomenon that is Stranger Things. If you haven’t...
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