In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about some of the great new features...

This week on MacBreak Studio, I show Steve Martin from Ripple Training how to use Final Cut Pro X’s...

Timeline and Cinemachine, which allow artists to create cinematic content and gameplay sequences without the need for coding, are...

Real-time production is the future of content creation, according to Epic Games, and Unreal Engine is putting that front...

Some of our older video & motion graphics courses are being retired from the Lynda.com/LinkedIn Learning catalog. However, a...

Elisabet Ronaldsdottir was born and raised in Reykjavik, Iceland and has been editing film at home and across Europe...

I’ve been able to sit down and play around with MAGIX VEGAS Pro a bit over the last few...

In our introductory article, I tried to get you thinking about the journey you’re about to go on, when...

This week on MacBreak Studio, Steve Martin from Ripple Training continues he discussion about markers in Final Cut Pro...

When it comes to monitors, Philips has a word to say. MMD, brand license partner for Philips monitors worldwide,...

Last week, I received the second-generation (MSRP US$559) DreamColor Z24x G2 “junior” review unit. I am ecstatic to tell...

Live streaming is easy, right? You can whip out a phone, open either YouTube or Facebook and be off...

In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about a great “under the hood” feature...

Paul Machliss is a UK-based editor who has been in TV and film post since the late 1990s. Machliss...