Compatible with iPhone and Samsung phones, the new optical lens system from Reeflex is designed to push smartphone photography...

After Effects is, at its very heart, a compositing application and so After Effects comes with a bunch of...

Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition I both love and dread export. The emotional depression...

Combining deep experience in brand storytelling with virtual production capabilities, (add)victory aims to enable the creation of high-end content...

Built on the Virtual Lens Technology, this new Nuke plugin brings decades of ZEISS optical expertise into post-production, bridging...

Projective, a leading provider of post-production collaboration technology, and freispace, the leading ERP-as-a-Service platform for media and entertainment production,...

Designed to establish a common language between on‑set VFX, production, VFX facilities, and technology teams, the new guide from...

Has it really been two and a half years since we were given iZotope RX 11?! Well it’s been...

About fifteen years ago, the world suddenly realised that large-sensor movie cameras had become affordable, while large-sensor movie lenses...

One of my main goals for NAB 2026 was to spend time with and talk to the creators of...

In the fast-paced world of production, efficiency isn’t just a luxury—it’s a requirement. Grips and cinematographers have long relied...

I saw a sad but not surprising email that came across today announcing that Digital Anarchy’s Transcriptive will hit...

Following its earlier release for Sony E-mount, the AF 14-24mm F2.8 is now available for L-Mount. The ultra-wide zoom...

In CapicúaFM podcast episode 109, María Esnoz and I covered the topic of Foolproof accented domains (including ñ) or...