I saw a sad but not surprising email that came across today announcing that Digital Anarchy’s Transcriptive will hit...

Following its earlier release for Sony E-mount, the AF 14-24mm F2.8 is now available for L-Mount. The ultra-wide zoom...

In CapicúaFM podcast episode 109, María Esnoz and I covered the topic of Foolproof accented domains (including ñ) or...

Everything is video. And video cables are everything. For better or worse, we see the world through a digital...

Especially useful for solo creators and small teams who want a faster and simpler way to manage multi-light scenes,...

The WideluxX shop is now officially open and a first production run, limited to 350 cameras, is available for...

Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition NAB happened, and it was amazing to be there...

For years, the conversation around Avid Media Composer has lived in a strange tension between reality and perception. On...

While everybody was busy with the NAB Show SJCAM quietly unveiled the SJ30, an 8K dual-lens action camera built...

The ability to use the lenses with the Fujifilm G mount opens up new creative opportunities for users of...

BRAW is the best format that Blackmagic cameras can use — and it’s a good choice. Though many older...

Nik Collection 9 unveils its biggest ever update: powerful AI-enhanced tools, a unique approach to color grading, and bold...

Despite Adobe going full bore on feature releases (especially in After Effects), its subscription model is still very unpopular...

The new lens is the AF 35mm F1.2 LAB from 2025… but without the display on the barrel, which...