ART OF THE CUT with Mission: Impossible – Fallout’s Eddie Hamilton, ACE
Art of the Cut is brought to you by our friends at Frame.io. Video collaboration for the 21st century...
Framing: Moving beyond the rule of thirds
Most of us have heard of the rule of thirds. If you’ve been around long enough you’ve probably also...
Creating a Dark and Stormy Night in Final Cut Pro X
https://www.youtube.com/watch?v=0Yre-8CszJg&feature=push-u-sub&attr_tag=n6-pl49D4xNNiqS5-6 This week on MacBreak Studio, I show Steve Martin from Ripple Training how to create an animated outdoor...
DaVinci Resolve 15 + Fusion Integration = Many Happy Editors
I’ll be honest right off the bat in this article. I’m not a big color grader. I’m more a...
Getting Started with HitFilm Pro – Lesson 5 – Working with the HitFilm Pro’s Toolbar Part 2
In our last lesson, in our look at learning HitFilm Pro, we talked about most of the tools in...
Getting Started with HitFilm Pro – Lesson 4 – Working with the HitFilm Pro’s Toolbar Part 1
In our last lesson, in our look at learning HitFilm Pro, we talked a little bit about basic editing,...
Filmtools Filmmaker Friday featuring Filmmaker Siena Sivrican
With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a Filmmaker. Filmtools decided...
Flexible Workflows in Adobe Premiere Pro CC
Valentina Vee & Premiere Pro CC Valentina Vee is a creative content director. She lives in Los Angeles, but...
ART OF THE CUT with Alex O’Flinn of indie sensation, “The Rider”
In 2014, Alex O’Flinn was awarded Sundance’s Sally Menke Memorial Film Editing Fellowship. He has edited The Bad Batch,...
ART OF THE CUT with Oscar-winning editor, Richard Chew, ACE
Oscar-winning editor, Richard Chew, ACE, has cut so many iconic films that I’ve been “hunting” him for a while,...
PVC Favorites
Post Production
REVIEW: END BOOST – audio mixing made easy
Production
Review: Blazar Remus 1.5x anamorphic lenses
Production
