LIGHTING: Reinventing the Cooking Show for Driscoll’s Berries
I don’t watch a lot of cooking shows, but the ones I see are not lit the way I...
CAMERAS: Avoiding the Big Gotcha When Shooting High Speed at Night
Adam Wilt and I presented a talk about the new Sony FS700 camera to an audience at CineGear 2012....
FOR-A FT-ONE camera – Cine Gear LA 2012
We dropped by to check out the 4K FT-One slow motion camera from FOR-A. One of the interesting notes...
Zacuto – Cine Gear LA 2012
At the Zacuto Cine Gear booth, we got a look at their top-handle solution for the FS100 and RED...
BBC Radio One Installs ATEM 2 M/E Production Switcher
Blackmagic Design has announced the ATEM 2 M/E Production Switcher, along with the Blackmagic Design HyperDeck Studio, will be...
Beyond FPS: Shutter Angle & Shape Drive Our Experience of Motion Onscreen
When Hobbit Director Peter Jackson surprised theater owners and distributors at CinemaCon this April by screening 10 minutes shot...
CueMaster Boom Pole – Cine Gear LA 2012
While at Cine Gear, we came across this very interesting audio boom system from Rabbit AV called the CueMaster....
Kino Flo Lighting – Cine Gear LA 2012
While at Cine Gear LA, we stopped by the Kino Flo booth to get updates on their new dimmable...
Hive Plasma Lighting – Cine Gear LA 2012
Hive Lighting introduces their line of plasma lighting, daylight balanced lighting solutions that draw significantly less power than standard...
