Fujifilm’s free color space converter
Fujifilm makes high-end LUT boxes allowing both color space conversion and look creation. The flagship IS-100, a.k.a. CCBOXX, is...
Atmosphere: Hazers, Fazers, Smoke and Fog 101
What do 80’s rock concerts, weddings and Hollywood films have in common? Many might say crazy clothing, make-up and...
PRODU.com debuts Speed Booster for GH4
I first became intrigued with the Speed Booster concept when I saw Norwegian filmmaker Andyax’s video from April 2015....
Nashville Filmmakers Guild Lighting Workshop – July 30
I’m usually all about post-production here on my blog but our local to Nashville filmmakers group The Nashville Filmmakers...
Gamma vs. Log: tonal-scale rendering
In my V-Log L Revisited article, I went on at some length about neutral rendering across the tonal scale...
Auphonic audio recording app for Android & iOS: strong mixed emotions
So far, I have reviewed at least two audio recording apps for iOS (RØDE Rec and ShurePlus MOTIV)… and...
V-Log L on the GH4 revisited, part 2
In part 1 of this saga, I looked at the reasons you might want to shoot V-Log L on...
V-Log L on the GH4 revisited, part 1
The release of the V-Log L upgrade for the Panasonic GH4 brought new attention to log capture in affordable...
Remote Productions: The Traveling Road Show Continues
In our first examination into the origins of television remotes, we explored the first mobile units designed to leave...
Advantages to recording mono, even for a stereo show
As I have shown in many past articles, there are many mono (i.e. non-stereo) digital mics that can be...
