Pulling a difficult key in Final Cut Pro X
On this week’s Under 5 minutes, I provide some tips on how to key highly compressed footage shot against...
Fujifilm: in search of film’s soul in a digital world
One recent example of how Fujifilm continues to explore the relation between film stock and modern sensors is visible...
Performance auditions in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us a great tip for using auditions in...
Ideal storage for 4K video workflows released
QNAP has just announced the TVS-871T, which is the first NAS that has storage that can be configured for...
After Effects Hidden Gems Weekly: Preserve Frame Rate
After Effects is a very logical program if you know it works underneath the hood, and a baffling mystery...
Post Production workflow for feature film “War Room” Part 2
This is the second in a three part series on the post production workflow of the Number 1 movie,...
FiLMiC Pro 5.0 adds 4K and 7 other category improvements to iPhone shooting
As I have covered in prior articles, the main reasons to use FiLMiC Pro when shooting video with an...
The Future of After Effects: feature requests, nodes, GPU
Adobe is nearing release of the “IBC” update to video apps in Creative Cloud 2015, which itself was just released in...
iPhone 6s: One more reason to distribute video under 30 fps
Apple just announced the iPhone 6s and iPhone 6s Plus, and this is one more reason to distribute video...
Free X-Rite webinar with Clay Cook
Inspiration & Style with professional commercial and fashion photographer Clay Cook is a free webinar organized by X-Rite Photo...
