Media Composer 101 – ADVANCED – Archiving Your Projects Part 2 – Media Mover
In this lesson, Kevin P McAuliffe goes further in-depth into archiving your Media Composer projects by looking at a...
Final Cut Pro X and AVCHD media
This week on MacBreak Studio, Steve Martin from Ripple Training tells us all about how to work with AVCHD...
Creative Cloud video updates at IBC 2015
Adobe has revealed updates to its pro video apps in Creative Cloud, though a specific release date was not...
Effectively translating your editing timeline from FCPX into After Effects
Some of the most innovate products to come out over the past few years have stemmed from user saying,...
The ABCs of Sound Part II
In our last post on sound design terminology, we looked at the lesser-known and sometimes amusing names for common...
The return of Automatic Duck: FCPX to After Effects and Media Copy
If you’ve been working in this business for awhile you’ll most likely have fond memories of Automatic Duck. The...
New glass: SLR Magic ANAMORPHOT-CINE primes
Hong Kong’s SLR Magic has just announced the development of two sets of anamorphic primes: 1.33x and 2.0x. The sets...
Adobe Premiere CC to add HDR & HEVC (H.265)
At IBC in Amsterdam, Adobe has announced that they will soon be adding initial support for HDR (High Dynamic...
Adobe Premiere & Audition to add loudness standards
At IBC in Amsterdam, Adobe has announced that they will soon be adding support for the new perceived audio...
NewTek announces NDI, an open protocol for IP production workflow
At IBC in Amsterdam, NewTek announced its Network Device Interface (NDI), a new open protocol for live production IP...
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