After Effects Hidden Gems Weekly: Fading Multiple Layers
The strength of After Effects is its ability to composite together a stack of layers to create a compelling...
Canon PowerShot G5 X and G9 X: shooting for the stars
Canon is building a family of large sensor cameras – 1 inch – with the 5 PowerShot G-series cameras...
Art of the Cut with Pietro Scalia on The Martian
In this installment of Art of the Cut, we talk to multi-Oscar-winning editor, Pietra Scalia about The Martian, his...
Lens Effects: UV Haze, ND and Polarizer
Call it Dehaze, UV Haze or NeutralHazer and you’ll be talking about the same: a filter that allows, in...
Shure briefly responds to 4 pending questions
Back in May 2015, I published the article Initial review: ShurePlus MOTIV Mobile Recording app for iOS. Later, I applauded...
Topaz ReMask 5: an easy way to mask hair
Using masks in images with hair, feathers or fur is always a cumbersome process. Topaz ReMask 5 does help...
After Effects Hidden Gems Weekly: Pixel Motion Blur
When you shoot a fast-moving object with a longer shutter time (half of the frame’s duration is the typical...
Performing swap edits in DaVinci Resolve 12
On this week’s Under 5 from Ripple Training, Alexis Van Hurkman shows us how to perform swap edits in...
Screen replacement in Final Cut Pro X with TrackX
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how he used CoreMelt’s TrackX plugin for...
Audio post workflow for the feature film, “War Room”
This is the third and final article in the post production process for the theatrical feature film War Room which I...
