A digest of last week’s photo and video news – Week 52
A digest of last week’s news is usually a selection of some of the news from a previous week,...
Camera, camcorder or streamcorder? What’s the difference?
A friend asked me yesterday why I had used the term camcorder in a recent article. Another asked about the term worldcam....
Art of the Cut with Fred Raskin, editor of HATEFUL EIGHT
Fred Raskin, A.C.E. has edited a number of great projects including 2014’s “Guardians of the Galaxy” and “Fast and...
Location Interview Lighting Tips: HMI Lights & Looking into the Lens
I recently shot a series of location interviews that will be used as the narrative backbone for a client’s...
Norman Hollyn discussing editing for L.A. Post Fest
Norman Hollyn, among many other things, is one of the judges for the L.A. Post Fest, an editing competiton...
Rigging Behaviors in Motion for Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can “rig” behaviors in Motion...
Sony to alleviate PXW-X70’s constrained 4K via firmware upgrade
Current and prospective users of the Sony PXW-X70 who are interested in shooting 4K UHD will rejoice sometime in...
The Nashville Filmmakers Guild NLE Debate Live Stream Archive
Monday, December 14, 2015 was the first ever Nashville Filmmakers Guild NLE Debate. As we talked about on a...
ART OF THE CUT WITH KIRK BAXTER, A.C.E. on cutting “Gone Girl” in Premiere
Kirk Baxteredited one of the first major feature films cut in Adobe Premiere Pro. He has worked primarily with director David...
AE Project Diary: 1) Lego, Ninjago
The “After Effects Project Diaries” provide inside details and behind-the-scenes accounts of real projects I have worked on. In...
