Free marker importer from Screenlight for Adobe Premiere Pro optimizes your workflow
Chris Potter is a friend of PVC who has told us how to do everything from sending better video...
The 411 on 333 Exemption
The potential for filming with drones is nearly limitless. What’s more is the potential economic impact drones have. The...
A digest of last week’s photo and video news – Week 04
A digest of last week’s news is a selection of some of the news from week 03 from 2016...
I’ve been researching a new editing chair, here are my notes
With all the rage in standing desks, standing things (and standing in general) the importance of a good editing...
Video Snapshot for lazy editors
When, recently, Scott Simmons tested the Fastcut software I had written about before – read his article, Automatic video...
Live TV versus prerecorded: how to take best advantage of each
Producing a TV show strictly for a live TV or Internet audience has both advantages and disadvantages. The same...
ART OF THE CUT with the editors of “Star Wars – The Force Awakens”
Maryann Brandon and Mary Jo Markey have a long and fruitful collaboration with the prolific J.J. Abrams. The team’s...
4K, HD, & Ken Burns in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can create camera zooms and...
Automatic video editing with MAGIX Fastcut
I was intrigued by a recent post from PVC’s Jose Antunes about Fastcut, a PC video editor that claims...
A digest of last week’s photo and video news – Week 03
A digest of last week’s news is a selection of some of the news from week 02 from 2016...
