ART OF THE CUT on cutting “DEADPOOL” with Premiere Pro CC
Vashi Nedomansky trained a team of Avid editors and assistants for their switch to Premiere Pro for “Deadpool” and...
The making of a cross-platform audio/video multimedia ebook
In August of 2015, I published my first review of Amazon’s free Kindle Textbook Creator (KTC) program to create...
Canon lenses dominate Big Game
If DSLRs are dying, they’re having a very slow death, one could say. With the sidelines at the San...
Flash Photography: two reading suggestions
When recently I wrote here about the eBook One Flash! Great Photography with Just One Light, from Tilo Gockel,...
First Look: Red Giant PluralEyes 4
PluralEyes 4 automates audio/video synchronization in seconds instead of days, giving videographers and filmmakers edit-ready footage without clappers or timecode....
A digest of last week’s photo and video news – Week 06
A digest of last week’s news is a selection of some of the news from week 05 from 2016...
Is VR here to stay or will it fade away like 3D TV?
Virtual Reality (VR) has been going to change the world ever since the 1950s. Each decade heralds the next...
Animating with transitions in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can create animations in Final...
Will VR fundamentally change the way filmmakers approach their craft?
Not too long ago I was asked to participate in an industry survey, and one of the questions was...
Final Cut Pro X: slipping audio without detaching it
This week on MacBreak Studio, Steve Martin from Ripple Training shows us a great tip for slipping the audio...
