ART OF THE CUT with Stephen Mirrione, A.C.E. of “The Revenant”
Art of the Cut talks with Academy Award-winning editor, Stephen Mirrione, A.C.E. and his latest film, “The Revenant.”
Creating Compound Clip Handles in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training a different and perhaps better way to...
Black & white movies are good (really)
Younger friends and family members routinely say they won’t watch black & white movies. Contrary to what they may...
Get Started Fast with Media Composer for High-Res Workflows—Part 3
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
Get Started Fast with Media Composer for High-Res Workflows—Part 2
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
Get Started Fast with Media Composer for High-Res Workflows—Part 1
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
The other DAM TV jingles like Mr. Cutting A Promo For A Lame Show Guy
As the year winds down I thought it would be fun to revisit some comedy bits that all editors...
FiLMiC Pro reaches Android after years on iOS
For those unfamiliar, FiLMiC Pro is a renowned under US$10 app for iOS (iPhone, iPad and iPod Touch) and...
Media Composer 101 – Lesson 17 – Bin Layouts/Displays
In this lesson, Kevin P McAuliffe wraps up his looks at Bins in Avid Media Composer by talking about...
Why we should only use worldcams
In a recent article, I covered the differences between the words camera, camcorder, streamcorder and worldcam. Fortunately, there are...
