Google introduces VR180, a new video format
Google discovered that most users of VR tend to only explore the area right in front of them, meaning...
DaVinci Resolve Mini Panel Review
In March I wrote a review of the DaVinci Resolve Micro Panel. I loved it, Studio B, where I...
Let’s Edit with Media Composer – Working with Mask Margins
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about a great feature added in version...
10 years of Lightroom and the alternatives available
If you don’t need or don’t like Adobe Lightroom’s catalog, the universe of photo editors compatible with RAW is...
Ripple Whips & Ken Burns in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training a specific use case for our Ripple...
Adobe acquires 360 video and VR tools by Mettle
Following the recent important Creative Cloud dot updates (Premiere, After Effects), Adobe adds good news in 360 video and...
Creating the Concept of “Digital Stocks” for RED Digital Cinema Cameras with philmcolor
Anyone who shoots and delivers should take note of a new “digital stock” offering that can give you an...
A Weekend With RHOdium FSND Filters By Schneider Review
Science versus art; it’s the unique combination that allows cinematographers/shooters to be both creative and tech savvy. In other...
Andrew Fried and Bryant Fisher: filming with the Canon EOS C200
Andrew Fried (Chef’s Table) and DP Bryant Fisher (Hamilton’s America), lead the crew of “From Dock to Dish”, first...
An in-depth discussion about Magix VEGAS Pro
This interview below is about Sony Magix VEGAS Pro! If you’ve worked in editing and post-production for any length...
