RØDECaster Pro audio console-first look
The Australian microphone manufacturer RØDE has just announced its new RØDECaster Pro audio integrated console for live or live-to-drive...
CyberLink AI Style Video transforms videos in paintings in Premiere and AE
Whether you want your final video to have a Van Gogh style or the subtle touch of Chinese paintings,...
REVIEW – Sapphire 2019 from Boris FX
With the release of Mocha Pro 5 a few weeks ago, the team at Boris FX is still working...
HTTPS websites and PAL, the analog TV system: their numeric relationship
Since 2014, I have covered the importance and methods to have forced secure HTTPS on websites. Since 2008 in...
Final Cut Pro X 10.4.4 adds Workflow Extensions as the highlight of a new update
Here we are on the heels of another FCPX Creative Summit, and we have a new release of Final...
Adobe Premiere Rush: 5 immediate corrections required
Many content producers are excited about Adobe’s new Premiere Rush. That’s the final product name for the code-named Project...
DaVinci Resolve 15.2 update continues Blackmagic’s march toward post-production dominance
I wonder if Blackmagic’s engineers sleep at night. I really do. What’s new in Resolve 15.2? A whole lot...
Blackmagic Design Pocket Cinema Camera 4K Review
Is the Blackmagic Design Pocket Cinema Camera 4K their best camera to date? I hope we will find this out...
Hands on with the Hydrogen One – RED’s gamble for mobile filmmakers
I remember playing with a couple of the RED One cameras and dealing with the myriads of issues when...
A decade of Lumix G and why Panasonic will continue with Micro Four Thirds
When the Lumix G1 was launched, in 2008, I immediately bought one. I believed in the system and Panasonic’s...
