Lens dynamic range: coatings, contrast and color
There was a time in the distant past when I thought of lenses as transparent glass. Film and digital...
Classic Course: Box Blur
Want to decide how smooth or coarse your blur is? This is the effect to use. The next few...
Quick Look: Tokina Cinema Vista 50mm T1.5
Cinema Vistas are Tokina’s line of no-compromise, full-frame cine lenses. Five T1.5 primes from 18mm to 85mm are currently...
Michael Semanick – Storytelling with Sound
Michael Semanick is an award-winning rerecording mixer of some of the most creative and celebrated films to come out...
Let’s Edit with Media Composer – What’s New in Title Studio 2019
In this lesson, Kevin P McAuliffe talks about the newest updates to Boris Continuum Complete 2019’s Title Studio. This...
ART OF THE CUT on “Black Panther” with editor Michael Shawver
Editor Michael Shawver has edited all of director Ryan Coogler’s films, starting with Fruitvale Station and Creed. He’s edited...
PostChat asks: The 3 things to know about the editing profession are?
The long-time post-production Twitter account #PostChat asked this interesting question: The 3 things to know about the editing profession are:1__________2_________3_________#postchat...
Review: The Canon XF705 4K Camcorder
The Canon XF705 is the flagship XF camcorder for Canon and it deserves the placement admirably. The 1″ sensor...
Review: Imerge Pro, a RAW image compositing and green screen champion
Key, edit, crop and color your way to high-end composites with FXhome’s Imerge Pro, which features unlimited layers and...
Classic Course: Automatic Color Adjustments
All too often, you will get footage that is not lit that well, or which has a color shift....
