Classic Course: CC Composite
This effect was long one of our secret weapons in Adobe After Effects to create looks like our “instant...
Behind-the-lens nets: a lost art makes a comeback
I’ve always been a little different. That’s the only explanation I have for cutting gels out of Rosco and...
P-Cam Pro – the one app that every shooter needs
While working on an upcoming article, I realized needed a refresher course in the math for determining both how...
ART OF THE CUT with Luke Ciarrocchi on cutting “Glass”
Luke Ciarrocchi is best known for his work with groundbreaking director, M. Night Shyamalan. Their collaboration, as editor and...
Filmmaker Friday with producer Stu Pollard for RUST CREEK
Producing an independent film comes with a multitude of challenges. Unlike major motion pictures, an indie film often relies...
An interview with moi, now at Production Hub
Not to give away any of PVC’s thunder, but Production Hub interviewed me a few weeks ago and the...
Canon EOS RP: is the new small and light camera a mirrorless EOS 300D?
With 4K at 25fps, Movie Servo AF and HDR movies, the new Canon EOS RP, not yet officially announced,...
Adobe and Avid need to support iXML metadata for audio channels in the timeline
This post is just a gentle public shaming for my friends over at Avid and Adobe. They are behind...
New Olympus MFT costs $500 more than full frame Panasonic Lumix DC-S1
The final presentation of the Lumix S1 and S1R makes, no doubt, things difficult for Olympus, that is selling...
Sony 4K PTZ BRC-X1000 and BRC-H900: REVIEW
Sometimes you cannot get a camera and a camera operator in the right position to get the shot. For...
