Tool Tip Tuesday for Adobe Premiere Pro: Replace from Bin
Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition I love Replace Edit. It’s one of...
Art of the Frame Podcast: Editors on Editing with “Frankenstein” Editor: Evan Schiff
In this latest Editors on Editing episode of the Art of the Frame podcast, Glenn Garland interviews editor Evan...
Open Gate in Production
Open Gate allows you to capture a camera’s entire sensor, then crop it later for delivery to multiple different...
40% off Ecamm Live! Black Friday/Cyber Monday
As you probably know from my multi-article coverage in many articles since 2020, Ecamm Live (Pro) continues to my...
Tool Tip Tuesday for Adobe Premiere Pro: The Marker is in the way of the Audio Waveform
Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition. Every week, we will share a new...
Blackmagic Camera ProDock: Answers to my 5 questions from the official source
Back in September I published this article: iPhone 17 Pro (Max) supports genlock via Blackmagic Camera ProDock to celebrate...
Inside the American Film Market 2025: A Powerful Homecoming to Los Angeles
Every year, the independent film world turns its eyes toward the “market behind the market,” the place where deals...
Xsens Link: reimagined for the next-generation of motion capture
Built for professionals working at the forefront of animation, games, virtual production, and VFX, Xsens Link has a new...
AAC audio: Kdenlive beats DaVinci Resolve (Studio) on Linux…
Although I have covered the wonderful AAC códec (the one that essentially replaced MP3 back in 1997, even though...
Light Sail VR: URSA Cine Immersive checks all the boxes
An Emmy winning, full service and cutting edge creative studio, Light Sail VR says that creating immersive video was...
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