Timecode Burn-in and Encode in One Step for Final Cut Studio
Timecode burn-in is used to assist in referencing back to parts of show. Typically this has been used on...
Final Cut Pro to YouTube
What people tend to forget is that you are sending YouTube a master for them to compress; therefore, send...
NLEs Are Still Too Expensive?
There has been a lot of noise lately from some folks that even the new Avid hardware pricing is...
Final Cut Pro – The Dividing Line
When dragging tracks in the Timeline, where you drag is as important as what you drag. Careless dragging may...
JL Cooper Eclipse panel
One of the reasons I got into this business in the first place was for the cool LCD displays,...
Adobe Demos Future Technology At NAB
Adobe showed some awesome stuff at NAB. My favorite was a future version of Premiere that transcribes your footage,...
Final Cut Server Now Shipping
From Apple’s website: Apple today announced that it has begun shipping Final Cut Server, a powerful software solution for...
Working with RED Footage
For my unfair comparison of three cameras, I had to process RED clips to a greater degree than I...
Red to Avid Workflow Utility
Rainer Standke, longtime participant on the FCP-L and Avid-L2 mailing lists, editor, and software developer, has released XMiL Sequencer....
