Lens Flares in After Effects
The built-in lens flares in Adobe products are quite long-in-the-tooth, but there are a bunch of tutorials, 3rd-party tools,...
The Adobe Premiere Pro timeline for Final Cut Pro users
When working in a non-linear editing application the editor spends many, many hours working in the timeline. Boy do...
All of the Automatic Duck plug-ins are now free
It was just over a month ago that the post-production community was surprised by the news that the perennial...
Straightforward Primary Color Correction in Premiere Pro
Color correction falls into three categories: primary, secondary and “looks.” Primary color correction changes all pixels in a clip’s...
Update Alert: DaVinci Resolve 8.1: FCPX support, lots of little things
The engineers over at Blackmagic Design continue their mad dash to update and upgrade DaVinci Resolve. The end of...
A short Q and A with Automatic Duck about their Adobe move
A bit of surprising news came across the tubes just the other day about one of the workhorse tool...
Streamlining Color Correction in Premiere Pro
Premiere Pro has a full complement of tonality and color correction tools including about 40 tonality and color correction...
Attend the FCPX Now What? Event
Are you in Burbank on Thursday August 18, 2011 at 7pm without anything to do? Do you care enough...
Why Jump On Board With FCP X?
FCP X has received a lot of scrutiny since Conan O’Brian. However, it seems that gradually more and more...
Notes from using Premiere Pro in a real-world, client-in-the-room edit
Adobe Premiere Pro has been back in the post-production public consciousness for quite a while. Now at version 5.5...
