ProRes 4444 XQ in Creative Cloud
Apple released a new codec this summer with updates to its video apps, Apple ProRes 4444 XQ. Arri decided to...
PVC at AES 2014 – Details About the New Upgrades to Ozone from iZotope
iZotope was previewing their updated version of Ozone at AES 2014 in Los Angeles and I had a chance...
Rating and Filtering in Final Cut Pro X
Guest Bill Davis takes us back to the basics this week. One of the foundational building blocks for working...
Cineform in Creative Cloud: render quality settings + more
GoPro Cineform, aka the SMPTE ST 2073 VC-5 video compression standard, is a cross platform codec that in Creative...
HitFilm 3 Pro for free if you own HitFilm Plug-ins
FXHOME has announced HitFilm 3 Pro, now available for pre-order for release in late November 2014 for just $299....
Adobe Anywhere for video 2014.1
Adobe Anywhere for video is an enterprise-only solution that serves collaboration and remote workflows with version tracking and project...
‘Gone Girl’ workflows with Premiere & After Effects
You can view Adobe’s panel discussion with the editorial and post-production team behind the movie Gone Girl from director David...
Introducing NUKE 9: The biggest evolution in NUKE’s history
Leading creative software developer, The Foundry, today unveiled NUKE 9, the biggest ever shake up of its NUKE technology,...
Adobe ‘Gone Girl’ panel: Premiere & After Effects
You can view Adobe's panel discussion with the editorial and post-production team behind the movie Gone Girl from director David...
Editors Discuss the Business Side of Being Creative
The Editors' Panel Series returns with another knockout installment! Join moderator Debra Kaufman and editors Richard Halsey, Tina Hirsch,...
