Motion Tracking, After Effects, and CINEMA 4D Lite
After Effects features a 3D Camera Tracker that examines already-shot footage and attempts to reverse-engineer where the camera was...
Track objects in Adobe After Effects automatically, intuitively, precisely and quickly with fayIN
IBC featured no shortage of new products and updates, and the promises made about the impact such things will...
Media Composer 101 – Lesson 11 – Grid Settings & 4×3 Safe in 16×9 projects
In this “back to basics” lesson, Kevin P McAuliffe talks about Grid settings inside of Media Composer, and why...
After Effects Hidden Gems Weekly: Mixing Audio
After Effects offers two ways to adjust the volume of an audio layer: the Levels parameter in the Timeline,...
Mercalli® V4 Suite from proDAD is now available for Sony Vegas Pro
We’ve previously covered what Mercalli V4 can do to and for footage, and it’s no small feat. As Bruce...
Media Composer 101 – Advanced – Archiving your Project Part 3 – Automatic Duck’s Media Copy
In this lesson, Kevin P McAuliffe goes further in-depth into archiving your Media Composer projects by looking at another...
Codecs, Codecs, Codecs – The most confusing aspect of editing
As the title says, Codecs are probably the single most confusing thing in editing, especially in Media Composer. Most...
Adobe Premiere Elements 14 offers initial 4K UHD support
Adobe’s consumer division just announced Premiere Elements 14 and Photoshop Elements 14, including many new features. One of the...
Pulling a difficult key in Final Cut Pro X
On this week’s Under 5 minutes, I provide some tips on how to key highly compressed footage shot against...
Performance auditions in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us a great tip for using auditions in...
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