After Effects Hidden Gems Weekly: Fading Multiple Layers
The strength of After Effects is its ability to composite together a stack of layers to create a compelling...
Art of the Cut with Pietro Scalia on The Martian
In this installment of Art of the Cut, we talk to multi-Oscar-winning editor, Pietra Scalia about The Martian, his...
After Effects Hidden Gems Weekly: Pixel Motion Blur
When you shoot a fast-moving object with a longer shutter time (half of the frame’s duration is the typical...
Performing swap edits in DaVinci Resolve 12
On this week’s Under 5 from Ripple Training, Alexis Van Hurkman shows us how to perform swap edits in...
Screen replacement in Final Cut Pro X with TrackX
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how he used CoreMelt’s TrackX plugin for...
Audio post workflow for the feature film, “War Room”
This is the third and final article in the post production process for the theatrical feature film War Room which I...
Choose a video monitor for editing & connect it the best way
People frequently ask about how to choose and connect a video monitor to their computerized editing system. Some people...
Building Projections – Preview & Testing
When producing large scale video projections it’s important to establish some type of preview, to guage how the content...
Publishing a shape from Motion to Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can once again use Motion...
Media Composer 101 – Lesson 12 – Import Settings Part 1 – Supported Codecs
In this lesson, Kevin P McAuliffe talks about your Import settings, and focuses in on a very important aspect...
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