VR, AR and More at SIGGRAPH 2017
The beginning of August saw the 44 year old SIGGRAPH conference (Special Interest Group on Computer GRAPHics and Interactive...
ART OF THE CUT with Michael Berenbaum
Michael Berenbaum, ACE won two Emmys and two Eddies for Best editing for Desperate Housewives and Sex and the...
Let’s Edit with Media Composer – DCP Creation Part 1 – Setup
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about getting your Media Composer timeline ready...
Intel Core i9 vs AMD Ryzen Threadripper: consumers always win
The battle between Intel and AMD’s new CPUs is just starting, but whatever the results, consumers always win. And...
Fusion 9 in depth review
There was a lot of chatter around Fusion a couple of years back when Blackmagic acquired the company. But...
Paragon Hard Disk Manager 16 makes it easier to protect your data
Hard Disk Manager solutions are not always very user friendly, especially if you’re not tech savvy. Paragon seems to...
Working for Cheap, Like Real Cheap – A PVC Roundtable Discussion
As the media production climate continues to change so do the rates which video professionals charge to create that...
Classic Course: Lighting Tricks in After Effects
As we mentioned last week, we’re re-publishing some of our older (but still useful!) courses for free. This course...
Siggraph 2017: the beginning of the end for assistant editors
Siggraph 2017 is essentially an NAB show for Pixar computer science geeks and VFX artists. But it also reveals...
ART OF THE CUT with Oscar nominated editor, Lee Smith, ACE on DUNKIRK
Lee Smith, ACE has cut numerous films with Christopher Nolan, including Interstellar, The Dark Knight Rises, Inception (for which...
