Review: DreamColor Z24x G2 “junior” monitor has come a long way
Last week, I received the second-generation (MSRP US$559) DreamColor Z24x G2 “junior” review unit. I am ecstatic to tell...
Alex Lindsay: Live Streaming in a Nutshell
Live streaming is easy, right? You can whip out a phone, open either YouTube or Facebook and be off...
Let’s Edit with Media Composer – Quick Title Changes in BCC Title Studio
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about a great “under the hood” feature...
ART OF THE CUT with Paul Machliss on Baby Driver
Paul Machliss is a UK-based editor who has been in TV and film post since the late 1990s. Machliss...
CREATING YOUR OWN DCP’S – GETTING STARTED
One question that I get asked a lot is, “How do I create my own DCP’s for delivery to...
Introducing Vegas Pro
Vegas Pro is a comprehensive, all in one post production “must have” NLE companion with everything you need to...
The first 30 days (or so) of Media Composer First
Well, we’re running into the first 30 or so days of Media Composer | First, the long awaited (two...
Valerian: Luc Besson’s hero drives a Lexus
Valerian, the film, picks the comic series from 1967 and mixes it with a promise of the future: the...
Let’s Edit with Media Composer | First – Lesson 2 – Managing Your Settings
If you’re ready to take the plunge, and start working in Media Composer | First, we’re here to help...
My multitrack crossgating audio workflow to eliminate crosstalk
Perhaps the most efficient way to resolve the problem of crosstalk in multiple microphone recordings is to use a...
