UE5 – Choosing our Environment
Starting out a big project is always daunting. Where do you even start? The characters? The environment? For me,...
Visual search tools compared
With the launch of Visual Search in Final Cut Pro 12, the ability to find a clip simply based...
Tool Tip Tuesday for Adobe Premiere Pro: Background Media Analysis via Adobe Media Encoder
Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition I’ll just say it. I hate editing...
After Effects: How to animate flashing neon light patterns
We all have to-do lists, and sometimes working through them takes longer than we expect. Roughly 15 years ago,...
Shutter Encoder: How to trim compressed videos losslessly, without additional generation loss
Imagine that you had a compressed video file and you only needed to trim it, without adding any fades,...
ScriptStar brings full transcripts and some text-based editing to Final Cut Pro
If you want to work with Final Cut Pro’s new ability to generate transcripts, then ScriptStar is a $10...
AI Tools Artist Spotlight: an Interview with Matt Silverman
In this installment of my Artist Spotlight series, I interview Matt Silverman of iBelieveInSwordfish – a motion design studio...
Tool Tip Tuesday for Adobe Premiere Pro: Tame your Audio Effects!
Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition Over the years, I’ve picked up a...
Review: Apple Creator Studio
When Apple announced the new Apple Creator Studio, it sent minor ripples through the post-production world and major ripples...
Using Sonuscore’s THE PULSE for cinematic underscore
THE PULSE is a complete production environment designed for composers who need cinematic soundscapes, evolving rhythms, and compelling electronic...
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