This is the fifth installment of a six-part HDR “survival guide.” Over the course of this series, I hope...

This is the fourth installment of six-part HDR “survival guide.” Over the course of this series, I hope to...

This is the third installment of a six-part HDR “survival guide.” Over the course of this five-part series, I...

This is the second installment of a six-part HDR “survival guide.” Over the course of this series, I hope...

This is the first installment of a six-part HDR “survival guide.” Over the course of this series, I hope...

Just in time for NAB, the 9250-XL is everything that a producer could want in a camera. The revolution...

I remember the first time I worked in anamorphic. I’d landed a job as “A” camera operator on a...

I love a challenge, as that’s when I get to do my best work. One of these spots was...

FiLMiC Pro (US$14.99) has been the de facto video camera app for mobile filmmaking for awhile. Mostly because of its...

I’m constantly experimenting with common lighting setups and trying to make them better. There is no more common lighting...