This is a story about a lens family whose soft focus backgrounds were consciously designed, and the lens mount...

I’m eight episodes in to Netflix’s Altered Carbon, and I’ve officially become a believer in large format TV cinematography....

Panavision’s DXL2 is a unique offering, backed by a unique color pipeline. This is not your average Monstro. When...

If you’ve got some time to spare on January 19th, and you’re near Burbank, stop by and see me...

I’m not happy with just knowing that colors work together in artistic ways. I want to know why. Here...

I love LEDs. Well, mostly. I have my tricks for dealing with them, and I’m going to pass some...

Does large format really create a greater sense of depth and dimensionality in a flat image? Read on to...

The mid-20th century epic movie experience is returning to a screen near you— at your local cineplex, in your...

I’ve worked on episodic television. I know how fast it moves. That’s why I’m amazed at how good recent...

As the media production climate continues to change so do the rates which video professionals charge to create that...