An Adobe Premiere Pro Switcher Story
Chris Fenwick is a colleague of mine and has been for quite a while in the San Francisco Bay...
Classroom: After Effects CS5 video tutorial series for beginners
Adam Shaening-Pokrasso presents a seven-part video tutorial series that introduces After Effects for beginners. This series is a single...
What sort of postings do you want from Adobe?
Like everyone else, I’ve started a blog, gotten into a blog, regularly contributed to a blog, added to the...
To Transcode or Not to Transcode
With the release of Premiere Pro CS5 earlier this year, the topic of native editing, and more specifically, native...
Adobe Premiere Pro 3D Stereoscopic Realtime Editing
I’ve created a start-to-finish workflow on how you can create a 3D stereoscopic workflow in Adobe Premiere Pro CS5...
Output module constraints in After Effects CS5
In After Effects CS4, you may have seen errors like this when rendering and exporting: After Effects AEGP Plugin...
Color Subsampling, or What is 4:4:4 or 4:2:2??
In the video space, there’s always a lot of talk about these number ratios – 4:4:4, or 4:2:2, or...
What is YUV?
Another area I’m getting pelting with questions about is the little YUV logo on some Premiere Pro effects. What...
The Life of an Audio Engineer
With the recent news about Adobe Audition coming to the Mac, I thought you might enjoy this spoof on...
Camera workflow guides in Adobe Premiere Pro CS5 and After Effects CS5
Adobe has been putting out several white papers, workflow guides, and other materials to give the nitty-gritty details of...
