There are so many product updates from Blackmagic Design this year at the NAB Show (Booth #N2502) – and I’m currently testing a couple of the prosumer items I’ll be sharing in a product review article in May, but for now, this is the full list with brief descriptions/highlights and links to their site for more info. to keep this post brief.

Note that all of these products will be available to purchase through Filmtools once product distribution is released.

NAB Show 2026 Announcements and Updates:

Here’s a live video overview of the new products released from Blackmagic Design’s CEO, Grant Petty ahead of the NAB Show open:

NAB Show 2026 New Products Lineup:

DaVinci Resolve 21 (DaVinci Resolve 21 public beta is available for download now from the Blackmagic Design website)

• A significant update introducing the new Photo page, which enables colorists and photographers to use Hollywood’s most advanced color tools for still photos.
• Other updates include new AI tools such as IntelliSearch for fast content searching, CineFocus for focal point adjustment, tools for facial refinement, and more. The Krokodove toolset adds over 70 new graphics to Fusion, Fairlight folders simplify audio track management, plus there are improvements to keyframing, MultiMaster trim passes, layer list node graphs and more.
• Visit site for more info: https://www.blackmagicdesign.com/products/davinciresolve

Fairlight Live (Fairlight Live public beta is available immediately from the Blackmagic Design website free of charge)

• A new software-based live audio mixer with spatial audio mixing and SMPTE-2110 broadcast workflows. Fairlight Live easily handles thousands of audio channels, working with standard computer audio or USB audio from ATEM live production switchers. Fully customizable, it has built-in effects and professional features such as a cue player, talkback busses, snapshots and more.
• Visit site for more info: https://www.blackmagicdesign.com/products/davinciresolve/fairlight

Blackmagic URSA Cine 12K LF 100G (available Q3 from US$8,995)

• A new model in the URSA Cine family with 100G Ethernet for high frame rate SMPTE-2110 live production output up to 440fps. Building on the revolutionary digital film features of the URSA Cine 12K LF, including the large format RGBW 36x24mm sensor, the new model adds dramatically faster networking for cinematic live production workflows.

• Blackmagic URSA Cine 12K LF 100G Features

  • Cinematic large format sensor with a massive 16 stops of dynamic range.
  • 100G Ethernet for high frame rate SMPTE-2110 output up to 440fps.
  • Lightweight, robust camera body with industry standard connections.
  • Optional PL, locking EF, LPL and B4 broadcast lens mounts.
  • Blackmagic RAW for real time 12K editing.
  • High performance OLPF for reduced moire and aliasing.
  • New Generation 6 Color Science with improved processing pipeline.
  • Built in ND filters for shooting in varying conditions.
  • Shoot Blackmagic RAW up to 80 fps in 12K, 144 fps at 8K and 240 fps at 4K.
  • Recording media compatible with the Blackmagic Media Dock.
  • High speed Wi-Fi, 100G Ethernet or mobile data for network connections.
  • Built-in RTMP and SRT live streaming.
  • Built-in Live DaVinci Hardware Color Corrector.
  • Optional Blackmagic URSA Cine Studio Viewfinder.
  • Advanced Blackmagic OS for fast touch control.
  • Localized for 13 popular languages.
  • Includes DaVinci Resolve Studio for post production.
• Visit site for more info: https://www.blackmagicdesign.com/products/blackmagicursacine/techspecs/W-URSA-70

Blackmagic URSA Cine Immersive 100G (available Q3 from US$26,495)

• The world’s first immersive cinema camera designed for live production with Apple Immersive Video. Featuring dual 8Kx8K RGBW sensors with 16 stops of dynamic range, URSA Cine Immersive 100G uses 100G Ethernet to deliver the bandwidth needed to output live immersive video for the first time.
• Blackmagic Design also announced the Blackmagic URSA Cine Live Encoder (available later this year), a live processor module that compresses live immersive video into Apple ProRes for output as SMPTE-2110-22 IP video, allowing customers to combine the stereo, high frame rate image streams into a single 100G Ethernet connection.
  • Dual custom lenses for shooting Apple Immersive Video for Apple Vision Pro.
  • Dual 8K x 8K sensors for stereoscopic 3D immersive image capture.
  • Massive 16 stops of dynamic range.
  • 100G Ethernet for SMPTE-2110-22 live video output
  • Lightweight, robust camera body with industry standard connections.
  • Generation 6 Color Science with new DaVinci Wide Gamut film curve.
  • Each sensor supports 90 fps at 8K x 8K stereo captured to a single Blackmagic RAW file or a single ProRes 2110-22 stream.
  • Includes high performance Blackmagic Media Module 8TB for recording.
  • High speed Wi-Fi, 100G Ethernet or mobile data for network connections.
  • Includes DaVinci Resolve Studio for post production.

The Apple Immersive content creation landscape has matured rapidly, and Blackmagic Design, had a front-row seat to that evolution, observing many pioneering creators who first adopted the URSA Cine Immersive now scaling their productions significantly, adding second, third, and fourth cameras to meet the demands of their growing productions. The demand will expand significantly with the growth of live productions. This progress reflects a foundational belief that professional-grade tools should be within reach of every creator, a commitment that, paired with the manufacturing efficiencies gained from increased production volume, enabled them to make these cameras more accessible than ever.

• Blackmagic URSA Cine Immersive is available now for US$24,995.

• Blackmagic URSA Cine Immersive 100G Features

• Visit site for more info: https://www.blackmagicdesign.com/products/blackmagicursacineimmersive

ATEM 4 M/E Constellation IP (available in June from US$7,995)

• ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus (available in July from $14,295) are two new models of live production switchers that are fully SMPTE-2110 native. These new models retain the powerful features of the existing ATEM Constellation SDI based switchers, so they are familiar to users, allowing a seamless transition between SMPTE-2110 and SDI based switchers when you have both in your facility. Designed for high end broadcast and live production, the new design features front-to-back cooling, extensive redundancy, support for SMPTE-2022-7 on all 100G video ports, redundant PTP clock connections, 2 x 10G Ethernet for control ports and redundant AC power supplies.
• Visit site for more info: https://www.blackmagicdesign.com/products/atemconstellationip/techspecs/W-APS-50

HyperDeck ISO Recorder 100G (available in June from US$4,995)

• A new SMPTE 2110 IP video recorder with 100G Ethernet that lets customers record all their cameras for live production. This means customers can also use DaVinci Resolve for live action replay. HyperDeck ISO Recorder 100G uses a single 100G Ethernet connection to connect all 8 video channels, plus it records high-quality Apple ProRes video to network storage via 100G Ethernet. This makes it an extremely advanced design that’s built for the future of broadcast.

“This HyperDeck is the most advanced recorder we have ever designed,” said Grant Petty, Blackmagic Design CEO. “Everything about it is different! But the most exciting use for it is live action replay. We can record 8 channels of Ultra HD video in only 2 rack units. This is dramatically smaller and lower cost than anything possible in the past.”

• HyperDeck ISO Recorder 100G Features

  • Records 8 channels of Ultra HD video.
  • Designed for live action replay with DaVinci Resolve.
  • Touch screen user interface with deck controls.
  • Connects to SDI with Blackmagic SDI Expander 8x12G.
  • Includes 100G Ethernet for recording to network storage.
  • Supports Blackmagic Cloud Store Ultra and Media Dock Ultra.
  • Includes 2 redundant SMPTE 2022-7 100G Ethernet connections.
  • Redundant design includes dual Ethernet and dual AC supplies.
  • Includes traditional broadcast deck controls.
  • Records to Apple ProRes files for extremely high quality.
  • Includes RS-422 control for broadcast automation systems.
  • Runs Blackmagic OS for high reliability.
  • Localized for 13 popular languages.
• Visit site for more info: https://www.blackmagicdesign.com/products/hyperdeckisorecorder100g/techspecs/W-HYD-25

Blackmagic Cloud Store Ultra (available in June from US$8,835)

• Extremely high performance flash storage with up to 48TB capacity and two independent 100G Ethernet connections that lets customers record and edit simultaneously without either workflow interfering with the other. Available in 24TB and 48TB models, it also features RAID 5 support, dual redundant power supplies and Blackmagic Cloud sync.
• All models of Blackmagic Cloud Store use incredibly fast M.2 flash memory cards. The Blackmagic Cloud Store Ultra model features server style front-to-rear cooling with 4 fans for redundancy and quiet operation. This linear airflow path evenly distributes heat across internal flash memory components, preventing hot spots and thermal throttling of M.2 cards. Plus, this model has 2 redundant power supplies.
• Blackmagic Cloud Store models feature fast parallel flash memory cores with lots of space for media. The Mini model has 4 x M.2 cards, while the Max and Ultra models use 12 x M.2 cards in a massive parallel RAID 0 group for extreme performance. That ensures enough speed to keep up with dozens of users. Plus the Ultra model can be reformatted to use RAID 5 if needed.
• Blackmagic Cloud Store Ultra Features
  • Extremely high performance flash memory based network storage.
  • Two independent 100G Ethernet ports operating as separate networks.
  • 12 internal M.2 flash memory cards for up to 48 TB capacity.
  • RAID 0 memory configuration for high performance.
  • RAID 5 support for extra data protection.
  • Blackmagic Cloud sync for global media collaboration.
  • Includes HDMI and SDI monitoring output with live storage status.
  • No subscriptions, no licenses and no user data tracking.
  • Includes software utility for Mac and Windows platforms.
  • Dual redundant AC power supplies for broadcast reliability.
  • Localized for 13 popular languages allowing international use.
• Visit site for more info: https://www.blackmagicdesign.com/products/blackmagiccloudstoremini/techspecs/W-CLD-15

Blackmagic Media Dock Ultra (available in June from US$2,995)

• A new high performance dock for Blackmagic Media Modules with two fully independent 100G Ethernet ports. It also features SDI and HDMI status monitoring and Blackmagic Cloud sync that lets customers use Blackmagic Media Modules as extremely high performance removable storage.

• Blackmagic Media Dock Ultra Features

  • Extremely high performance rack mount dock for Blackmagic Media Modules.
  • Two independent 100G Ethernet ports for simultaneous recording and editing.
  • Blackmagic Cloud sync for global media collaboration.
  • Includes SDI and HDMI monitoring output with live storage status.
  • Front-to-back cooling with multiple fans for quiet operation.
  • Dual redundant AC power supplies for broadcast reliability.
  • Localized for 13 popular languages allowing international use.
• Visit site for more info: https://www.blackmagicdesign.com/products/blackmagicursacine/techspecs/W-DOC-05

Blackmagic SDI Expander 8x12G (available in June from US$2,995)

• A new converter that lets customers connect all their 12G-SDI gear to the latest 100G Ethernet SMPTE-2110 IP systems! The converter supports 8 bi-directional 12G-SDI connections and has 2 separate 100G Ethernet connections allowing SMPTE-2022-7 redundancy.

• Blackmagic SDI Expander 8x12G Features

  • Connect 12G-SDI gear to 100G Ethernet SMPTE-2110 IP systems.
  • Supports 8 bi-directional connections and SMPTE-2022-7 redundancy.
  • 8 x 12G-SDI inputs and 8 x 12G-SDI outputs in a single 1RU design.
  • Redundant 100G Ethernet for full SMPTE-2022-7 compliance.
  • SDI connections switch between SD, HD, and Ultra HD.
  • Includes dedicated NMOS connection for routing IP sources.
  • Front panel LCD for monitoring of video inputs and outputs.
  • Front panel speaker and headphone for audio monitoring.
  • Dual redundant AC power supplies for broadcast reliability.
  • Localized for 13 popular languages allowing international use.
• Visit site for more info: https://www.blackmagicdesign.com/products/blackmagic2110ipconverter/techspecs/W-CONIP-30

Blackmagic StudioBridge 10G PWR (available in June from US$2,495)

• Lets customers bridge 8 separate 10G Ethernet SMPTE-2110 connections into modern 100G SMPTE-2022-7 redundant systems. This means it’s possible to combine up to 8 separate cameras or converters into a 100G Ethernet IP video system. If the 10G Ethernet products use a single connection, then the Blackmagic StudioBridge 10G PWR will also bridge into the 2 x 100G Ethernet connections for a redundant broadcast system. Plus this converter has 4 separate internal power supplies so it can provide each of the 10G Ethernet connections with 90W PoE++ power.

“Our 10G Ethernet 2110 IP products are a really affordable way to build live production systems, but the problem is always how to connect them into larger redundant 100G broadcast systems,” said Grant Petty, Blackmagic Design CEO. “The StudioBridge 10G PWR solves that problem and the really exciting thing is that it’s powerful enough to connect and power 8 Studio Cameras from a single converter. That’s a lot of power and we think customers are going to love how simple it makes building large scale camera systems with full redundancy!”

• Blackmagic StudioBridge 10G PWR Features
  • Bridges 8 x 10G Ethernet connections into redundant 100G Ethernet systems.
  • Redundant 100G Ethernet for full SMPTE-2022-7 compliance.
  • Supports 90W of PoE++ power on each 10G Ethernet port.
  • Includes dedicated NMOS connection for routing IP sources.
  • 2RU rack mount design with front-to-back cooling.
  • Front panel LCD for monitoring of video inputs and outputs.
  • Front panel speaker and headphone for audio monitoring.
  • Dual redundant AC power supplies for broadcast reliability.
  • Localized for 13 popular languages allowing international use.
• Visit site for more info: https://www.blackmagicdesign.com/products/blackmagic2110ipconverter/techspecs/W-CONIP-31

Blackmagic UpDownCross 100G (available in June from US$2,435)

• A powerful new standards converter that lets customers simultaneously convert up to 8 separate channels of SD, HD and Ultra HD video to any other standard. The new converter has redundant 100G Ethernet for full SMPTE 2022-7 compliance and a dedicated NMOS control port.

• Blackmagic UpDownCross 100G Features

  • Features 8 channels of Up, Down and Cross conversion.
  • Connects using high speed 100G Ethernet for SMPTE-2110.
  • Supports SD, HD and Ultra HD television standards up to 2160p60.
  • 2 x 100G Ethernet ports to support full SMPTE-2022-7 redundancy.
  • 8 independent channels of simultaneous standards conversion.
  • Includes dedicated NMOS connection for routing IP sources.
  • Front panel LCD for monitoring of video inputs and outputs.
  • Front panel speaker and headphone for audio monitoring.
  • Dual redundant AC power supplies for broadcast reliability.
  • Localized for 13 popular languages allowing international use.
• Visit site for more info: https://www.blackmagicdesign.com/products/blackmagic2110ipconverter/techspecs/W-CONIP-20

Blackmagic Ethernet Switch 820 (available in June from US$2,295)

• A new high performance, low latency model designed for advanced broadcast systems. This new model includes 8 x 100G and 2 x 10G Ethernet connections plus simple front panel SMPTE-2110 routing. Blackmagic Ethernet Switch 820 also has two redundant PTP clock Ethernet connections, a separate NMOS control port and a dedicated management port.

• Blackmagic Ethernet Switch 820 Features

  • Specifically designed for SMPTE-2110 IP video.
  • Extremely high speed Ethernet switch for television use.
  • 8 x 100G Ethernet ports and 2 x 10G Ethernet ports.
  • PTP clock support with 2 redundant PTP Ethernet ports.
  • Dedicated NMOS control Ethernet port.
  • No complex multi-cast settings required.
  • LCD allows for simple TV style routing of IP video.
  • Status video output shows real time port speed graphs.
• Visit site for more info: https://www.blackmagicdesign.com/products/blackmagicethernetswitch/techspecs/W-ESW-02

ATEM Monitoring Rack Panel (available in June from US$995)

• A new combination monitoring converter and control panel that can be used with ATEM Constellation IP live production switchers. The ATEM Monitoring Rack Panel converts SMPTE 2110 IP to HDMI and 12G-SDI for connecting to monitors, however it also has front panel input buttons for controlling the switcher as well as an LCD and talkback connections.

“The front to back ventilation of the ATEM Constellation IP meant that we had to remove the front panel controls found on the SDI ATEM Constellation models,” said Grant Petty, Blackmagic Design CEO. “However, front panel controls are great for setting up at events or engineering testing, so we took the front panel of an ATEM 2 M/E Constellation 4K and turned it into not only a control panel but also a video converter for HDMI or SDI monitoring!”

• ATEM Monitoring Rack Panel Features

  • Monitoring converter built into a rack mount ATEM control panel.
  • Converts 10G Ethernet SMPTE-2110 to 12G-SDI and HDMI outputs.
  • 2 Redundant 10G Ethernet ports for SMPTE-2022-7 compliance.
  • Includes dedicated NMOS connection for routing IP sources.
  • Front panel LCD allows monitoring of video and audio meters.
  • Front panel includes a 5 pin broadcast talkback headset connector.
  • Dual redundant AC power supplies for broadcast reliability.
• Visit site for more info: https://www.blackmagicdesign.com/products/atemconstellationip/techspecs/W-ABP-15

Note that all of these products will be available to purchase through Filmtools once product distribution is released.

More Blackmagic coming in May!

I’m currently testing the Blackmagic Design ProDock for smartphones and the Blackmagic Camera App in small productions. It’s truly a great way for independents and influencers to create quality video productions at home, office or on location with minimal gear and achieve professional results.