Steve Hullfish has been producing and editing award-winning television since the mid-1980s. He has written six books, and edited four theatrical feature films (including two Number One New Movies in the US). He has lectured at NAB, DVExpo and the Master Editor seminars. He has edited on Avid since 1992 and was named to Avid’s first group of Master Editors. His client list includes: Universal Studios, Sony Pictures, NBC, PBS, Turner Networks, The Oprah Winfrey Show, “Investigative Reports” and “Cold Cases” with Bill Kurtis for A&E, Jim Henson Home Entertainment, Major League Soccer, The Chicago Cubs, Wilson Sporting Goods and Exxon/Mobil.

ART OF THE CUT on editing Spider-Man: Into the Spider-Verse

ART OF THE CUT on editing Spider-Man: Into the Spider-Verse

Robert Fisher Jr. most recently served as lead editor on Sony Pictures Animation’s computer-animated Spider-Man: Into the Spider-Verse, now in theaters. Robert has been a member…

ART OF THE CUT with Oscar-winning editor, Chris Dickens, ACE

ART OF THE CUT with Oscar-winning editor, Chris Dickens, ACE

Chris Dickens, ACE, won the Oscar and an ACE Eddie for Best Editing for Slumdog Millionaire.  He was also nominated for an ACE Eddie for Best Editing for Les Miserables…

ART OF THE CUT with Oscar-nominee, Tatiana Riegel, ACE

ART OF THE CUT with Oscar-nominee, Tatiana Riegel, ACE

Tatiana Riegel, ACE was last profiled in Art of the Cut for her Oscar-nominated editing of director Craig Gillespie’s I, Tonya, for which she won an ACE…

ART OF THE CUT WITH Oscar-nominated editor Juliette Welfling

ART OF THE CUT WITH Oscar-nominated editor Juliette Welfling

Juliette Welfling is the winner of five Cesar Awards (France’s “Academy Awards”). She was nominated for an Oscar for editing The Diving Bell and the Butterfly…

ART OF THE CUT with Oscar-winner Tom Cross, ACE on editing “First Man”

ART OF THE CUT with Oscar-winner Tom Cross, ACE on editing “First Man”

Tom Cross, ACE won an Oscar for Best editing for Whiplash, and was nominated for Oscars and La La Land. He was also nominated for ACE Eddies for Whiplash and…

ART OF THE CUT with the editing team of “Creed II”

ART OF THE CUT with the editing team of “Creed II”

Three editors teamed up to bring a cohesive editorial vision to Creed II.  Dana E Glauberman, ACE, has previously edited Juno, Love Happens, Up in the Air, No Strings Attached…

ART OF THE CUT with Oscar-nominated editor, Joe Walker, ACE on “Widows”

ART OF THE CUT with Oscar-nominated editor, Joe Walker, ACE on “Widows”

Oscar nominated editor Joe Walker, ACE, recently cut the movie Widows for director Steve McQueen. It’s their fourth feature project together starting with Hunger (2008), Shame (2011), 12…

ART OF THE CUT with Oscar nominee and ACE Lifetime Achievement winner Carol Littleton, ACE

ART OF THE CUT with Oscar nominee and ACE Lifetime Achievement winner Carol Littleton, ACE

Carol Littleton, ACE started her editorial career in 1975. She began a long-term working relationship with director Lawrence Kasdan editing Body Heat (1981). She was nominated for an Oscar…

ART OF THE CUT with “Bohemian Rhapsody” editor, John Ottman

ART OF THE CUT with “Bohemian Rhapsody” editor, John Ottman

There are very few big-time editors who do double duty as legitimate film composers, but in this Art of the Cut, we’ll be talking to one of…

ART OF THE CUT with Oscar-nominated, Tariq Anwar

ART OF THE CUT with Oscar-nominated, Tariq Anwar

Tariq Anwar was born in New Delhi, India, and grew up in London. At the beginning of his career, in the early 1970s, he worked as an editor at the…