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Steve Hullfish has been producing and editing award-winning television since the mid-1980s. He has written six books, and edited four theatrical feature films (including two Number One New Movies in the US). He has lectured at NAB, DVExpo and the Master Editor seminars. He has edited on Avid since 1992 and was named to Avid’s first group of Master Editors. His client list includes: Universal Studios, Sony Pictures, NBC, PBS, Turner Networks, The Oprah Winfrey Show, “Investigative Reports” and “Cold Cases” with Bill Kurtis for A&E, Jim Henson Home Entertainment, Major League Soccer, The Chicago Cubs, Wilson Sporting Goods and Exxon/Mobil.

ART OF THE CUT with Phyllis Housen, ACE, editor of “Clemency”

ART OF THE CUT with Phyllis Housen, ACE, editor of “Clemency”

Phyllis Housen, ACE has been a feature film editor since the early ’90s, including Cargo, To Whom it May Concern, and Dream for an Insomniac. She was also an…

ART OF THE CUT with Oscar winner, Paul Hirsch, ACE

ART OF THE CUT with Oscar winner, Paul Hirsch, ACE

Paul Hirsch, ACE has edited some of the most iconic films in cinema history: Carrie, Star Wars; Star Wars: The Empire Strikes Back; Ferris Bueller’s Day Off; Planes…

ART OF THE CUT with Harry Yoon, editor of “Best of Enemies”

ART OF THE CUT with Harry Yoon, editor of “Best of Enemies”

Harry Yoon has been a feature editor for the last 10 years. He has worked with some of the top Oscar-winning editors, including William Goldenberg, Stephen Mirrione and Tom…

ART OF THE CUT with editor Chris Lebenzon, ACE on “Dumbo”

ART OF THE CUT with editor Chris Lebenzon, ACE on “Dumbo”

Chris Lebenzon, ACE has been widely recognized by his peers with numerous ACE Eddie nominations and wins, including for The Secret Life of Plants (1978), Crimson Tide (1995), Charlie and…

ART OF THE CUT with Nicholas Monsour, editor of “US”

ART OF THE CUT with Nicholas Monsour, editor of “US”

Nicholas Monsour’s previous feature work as an editor has included Keanu and Action Point. He also has experience in editing TV series like Key and Peele, The O…

ART OF THE CUT with “Five Feet Apart” editor, Angela M. Catanzaro, ACE

ART OF THE CUT with “Five Feet Apart” editor, Angela M. Catanzaro, ACE

Angela M. Catanzaro, ACE, has been an assistant editor and an editor for 20 years. Her work as an editor includes the TV series Friday Night Lights, Parenthood, Suits, The…

ART OF THE CUT with Kirk Morri, editor of “Aquaman”

ART OF THE CUT with Kirk Morri, editor of “Aquaman”

Kirk Morri has been an editor of film and TV for more than 20 years. His filmography includes The Hills Have Eyes, Insidious, The Conjuring, Furious 7, and Ant-man…

ART OF THE CUT with “Crazy Rich Asians” editor, Myron Kerstein

ART OF THE CUT with “Crazy Rich Asians” editor, Myron Kerstein

Myron Kerstein has edited numerous films including, Going in Style, Wish I Was Here, Movie 43, Glee: The 3D Concert Movie, Little Fockers, Fame, and Nick and Norah’s Infinite…

ART OF THE CUT with Naomi Geraghty, editor of “The Upside”

ART OF THE CUT with Naomi Geraghty, editor of “The Upside”

Naomi Geraghty has been working as a film and TV editor for nearly 20 years. Her work includes TV series, like The District, History Detectives, Treme, Bloodline and Billions. Her…

ART OF THE CUT with Luke Ciarrocchi on cutting “Glass”

ART OF THE CUT with Luke Ciarrocchi on cutting “Glass”

Luke Ciarrocchi is best known for his work with groundbreaking director, M. Night Shyamalan. Their collaboration, as editor and director, includes The Visit, Split and Shyamalan’s most recent…

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