Production
Defining Color Correction in Production – From RGB to CRT to HDR
Back in the day, color was simpler. A show could change stocks and play around with printer lights, but...
Production
On saturated light: making two lights emit the same colour
Writer’s note – I’ve been accused, in the past, of spoiling the fun for people who design and use...
Post Production
How are modern computer hardware battles impacting production and post?
It’s great, if you’re a manufacturer, to feel like you’ve got control over a market. If you’re the only...
Post Production
LED video walls. Amazing technology, not all the same
Mandalorian. There, now we’ve established what we’re talking about because if there was ever an example of a particular...
Production
Capturing the Foo Fighters at 12K
Most people don’t get enough time to test out camera equipment before it’s put into use. During his eighteen-year...
Post Production
Are the Apple M1s outdoing everyone?
It doesn’t take too much searching of YouTube right now to find people hyperventilating over Apple’s new baby, the...
Production
Are LUTs packs worthwhile?
You always know a colourist is paying attention when a LUT is named “Fuji Superior 200” (sic). We won’t...
Featured
Exploring Colour Quality Systems in Production: Lamphouse efficiency, modifier efficiency and more
If we didn’t care about efficiency, tungsten lighting is the best technology ever developed. It has near perfect colour...
Production
Exploring Colour Quality Systems in Production: LED colour issues and the colour rendering index
Everyone knows there are colour quality issues with at least some LEDs, and everyone wants a nice easy number...
Production
Is the film industry really ready for 12K? What it takes to create impressive sensors for cinema cameras
Recent insights about the RED Komodo 6K S35 have gotten lots of cinematographers excited, but the new URSA Mini...
