News
Blackmagic launches ATEM SDI series of video switchers/mixers
This week, Blackmagic Design launched a new series of portable ATEM SDI live production mixers/switchers with 3G-SDI connections instead...
Production
Plosive prevention: A7WS, A81WS or WS2, not RK345
Sadly, most people I see and hear vía the Shure SM7B, MV7 and MV7x microphones are using the wrong...
Production
Review: FDUCE SL40 studio dynamic hybrid microphone with A7WS & RØDECaster Pro II
I am privileged to be among the first to be reviewing the new sub US$100 SL40 studio dynamic hybrid...
Production
First look: Zoom F3 2-track 32-bit float recorder with 48 kHz sampling rate
I didn’t buy the ≈US$350 Zoom F3 2-track recorder because of its 32-bit float recording capabilities with true 1528...
Production
First look: Saramonic SR-HM7 dynamic cardioid ENG/interview microphone
As I have explained in past reviews of ENG (electronic news gathering, aka for interviews and standups) microphones, most...
Distribution
Video streaming in the era of framerate wars
This situation reminds me of the biblical story of the Tower of Babel. Here are a few examples: Zoom.us...
Production
Apple Continuity Cam versus Camo Pro: competition, complementary or both?
In February 2022, I published my initial review of Camo Pro, which I called “the software CCU for your...
Production
Sony framerate policy in 2022: still restrictive & deceiving
Sony is among the last among camera manufacturers which disguises and/or restricts framerates. Sony even treats camera purchasers who...
Production
RØDE unveils the RØDECaster Pro II mixer-multitrack recorder-virtual cart player
You may have read (or heard) some of my prior coverage about the original RØDECaster Pro mixer-multitrack recorder-virtual cart...
Distribution
Google accelerates audiobook production exponentially
In March 2022, I published Google’s Aloud auto-dubs your English video in Castilian or Portuguese, free. Now, Google is...