For some reason most all of my Final Cut Pro X job seem to revolved around talking head interviews. This is fine and we can tell some good stories from interviews but I’ve found that the redrawing of thumbnails in the FCPX timeline can take up a lot of time throughout the day. I’ve sped […]
Read More… from Day 1 #28daysofquicktips – Minimize Interview Roles in FCPX
In this first of a two part look at working in 4K in Media Composer, we look at the scenario of a client shooting 4K material, for a project that will only ever see the light of day in HD. This was an interesting tutorial. 4K aquisition is coming to the front more and more, […]
Read More… from Media Composer 101 – Advanced – 4K Workflows Part 1: HD Projects
Ikan’s Remote Air One (also known as the PD Movie) is a wireless remote follow focus that’s easily the most affordable I’ve seen. You can get a single-channel kit at B&H Photo these days for $1599, including a hard case, a handheld transmitter, receiver, single .8 pitch standard torque motor and all the necessary cables and […]
Read More… from Product Review: ikan PD1 Remote Air One Remote Follow Focus
