Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition

I’m always adjusting the visibility or solo of tracks.

It’s constant: I’ve got an interview embedded in a large audio soundscape. Music, ambience, and effects are scattered across a dozen tracks. I just want to hear the one person in isolation.

Adobe added this new toggle in the 25.5 release.

Open your Keyboard Shortcuts (Command+Option+K/Ctrl+Alt+K) and search for “Toggle Track.” You’ll find Toggle Track Visibility/Mute/Solo sitting there, unmapped.

This command enables or disables visibility, muting, or solo for the targeted tracks.

Combine this with last week’s tip.

Last week, I mapped the Track Targets to Function keys. Again, this is a new 2025 feature.

I mapped Target Video F1-F10, Audio to Shift F1-F10.

Then combine it with this new Visibility for video or Solo/Mute for audio.

How I use it

Here’s the process of muting the music – and just the music.

• Press Command/Ctrl+9 (turn off all audio track targets)
• Shift+F3 (my mapping for Activate  Audio Target 3)
• Toggle the Track Mute F10 – where I’ve mapped it.

A3 – the music, is muted. Hit F10– again, and I’m back to the full mix.

Which works even during playback!

Where I map it

I’ve got my Mute/Solo/Visibility on F10/11/12.

That doesn’t mean those are the best keys. I think you should map keys wherever they make sense to you.

Since I’ve got F1 through F9 mapped to video, F10, F11, and F12 are the felt right today; but I’m still thinking about should Solo or Mute be F10?. You could argue that the video Visibility should be on F12 and the audio Mute/Solo on Shift 11, Shift 12.

My message is always the same: Map them where they work best for you.

Now you can go that much faster and keep your hands on the keyboard.

This series is courtesy of Adobe.