Keying a Shot in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to key a shot in Final...
User interfaces (UI) in the movies — and beyond
About a year ago, interface designers Nathan Shedroff and Christopher Noessel published their book 'Make It So: Interaction Design...
GoPro Announces the Hero3+ Black, Silver & White Edition Cameras
GoPro announces the latest version of their popular POV cam with the release of the Hero3+ Black, Silver &...
Smarter Smart Collections
This week on MacBreak Studio, Steve Martin from Ripple Training shows us a great tip regarding Smart Collections in...
Ríchard Izarra of PRODU.com debuts his Canon XA20 camcorder
In one of his extremely brief visits to Miami, I met with Ríchard Izarra of PRODU.com, who was debuting...
NewTek scopes white paper now available in both PDF and Kindle formats
The recent white paper I created for NewTek regarding its scopes is now available in PDF format, in addition...
The Clamper
This week on MacBreak Studio, Steve Martin from Ripple Training and I go a little “behavior crazy” as we...
Blackmagic Cinema Camera Post Work-Flow
You bought the BMCC… You’ve been shooting ProRes or DNxHD… and now you want to harness the full potential...
Editorial to Color Grading from a Colorist’s POV: A Guest Post From Robbie Carman
PVC is happy to welcome Robbie Carman from Mixing Light aboard for a guest post about the editor and...
Secondary Color Correction in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us a method for performing selective or “secondary”...
