ART OF THE CUT on delivering DUNKIRK in IMAX and 70mm
John Lee has been as assistant editor since 1993, including work as assistant editor, associate editor or additional editor...
ART OF THE CUT with the editors of “Detroit”
Hopefully, for regular readers of Art of the Cut, there’s a lot to be learned from every interview. I...
ART OF THE CUT with Michael Berenbaum
Michael Berenbaum, ACE won two Emmys and two Eddies for Best editing for Desperate Housewives and Sex and the...
ART OF THE CUT with Oscar nominated editor, Lee Smith, ACE on DUNKIRK
Lee Smith, ACE has cut numerous films with Christopher Nolan, including Interstellar, The Dark Knight Rises, Inception (for which...
ART OF THE CUT with Atomic Blonde editor Elisabet Ronaldsdottir
Elisabet Ronaldsdottir was born and raised in Reykjavik, Iceland and has been editing film at home and across Europe...
ART OF THE CUT with Paul Machliss on Baby Driver
Paul Machliss is a UK-based editor who has been in TV and film post since the late 1990s. Machliss...
ART OF THE CUT with the editor of “War for the Planet of the Apes”
William Hoy, ACE got into the editor’s seat on feature films back in the mid-‘80s. One of his first...
ART OF THE CUT with Despicable Me 3 editor, Claire Dodgson
Claire Dodgson has been working on animated films since starting as 2nd assistant editor on Corpse Bride (2005). She...
ART OF THE CUT with the editing team for Transformers: The Last Knight
Art of the Cut takes a step into the epic – not just with the film we’re discussing –...
ART OF THE CUT on Ridley Scott’s Alien: Covenant
Pietro Scalia has won two Best Editing Oscars, for his work on JFK and Black Hawk Down. He was...
PVC Favorites
Post Production
REVIEW: END BOOST – audio mixing made easy
Production
Review: Blazar Remus 1.5x anamorphic lenses
Production
