ART OF THE CUT: Cutting The Post simultaneously with Ready Player One
When editors talk about the long-term “marriages” between a director and their editor, the discussion probably centers around three...
ART OF THE CUT: Editing the ACE nominated Molly’s Game
Aaron Sorkin has long been known for great writing and smart TV drama. On Molly’s Game, he steps into...
ART OF THE CUT: editing Grand Tour and Top Gear with Dan James
One of the most popular shows on the planet was the BBC’s Top Gear. When that show left the...
ART OF THE CUT congratulates the 2018 Eddie Nominees
Congratulations to the following feature films and their editors for being nominated for an American Cinema Editors (ACE) Eddie...
ART OF THE CUT on editing JUMANJI: Welcome to the Jungle
When you’re discussing editing of a tentpole movie with a lot of VFX, tons of footage and a tight...
ART OF THE CUT on editing Mindhunter with Kirk Baxter, ACE and Tyler Nelson
Mindhunter is one of those binge-able shows that has people talking. I spent a few days last summer at...
ART OF THE CUT with the assistant editors and VFX editors of Kingsman: The Golden Circle
Occasionally, Art of the Cut features the assistant editors and others in the post-production team. These are some of...
ART OF THE CUT with Sidney Wolinsky, ACE on “Shape of Water”
Art of the Cut last spoke to editor Sidney Wolinsky, ACE, in 2015 about his work on House of...
ART OF THE CUT with Lisa Bromwell, ACE on “House of Cards”
Lisa Bromwell, ACE has been working in feature film and TV editorial for more than 30 years. She moved...
ART OF THE CUT on MURDER ON THE ORIENT EXPRESS
Mick Audsley is the BAFTA-winning editor of such films as Dangerous Liaisons, 12 Monkeys, Harry Potter and the Goblet...
