Fujifilm’s free color space converter
Fujifilm makes high-end LUT boxes allowing both color space conversion and look creation. The flagship IS-100, a.k.a. CCBOXX, is...
An Avid DS for free: Fusion Connect turns your Avid into a finishing powerhouse.
Blackmagic just announced a free live link from Avid Media Composer to Fusion free or Fusion Studio, their high-end...
PV3200PT monitor for editors: Surprising responses from BenQ
When I first saw José Antunes mention the BenQ PV3200PT 4K UHD here in ProVideo Coalition (link ahead), I...
Why the Resolve & Fusion integration is a pretty big deal
Blackmagic’s announcement at NAB of integration between Resolve and Fusion may have gone unnoticed by many, but it actually...
The Secret Art of White Balancing
In days of old, white balancing was easy. Now, like everything else, it’s gotten a lot more complex. Here’s...
DaVinci Resolve 12.2 Update & Price Drop
First Blackmagic Design’s DaVinci Resolve 12 appears on Mac’s App Store with a new lower price. Then Blackmagic announces...
LUTCalc: Trials, errors, and a full-range LC709A LUT
After much experimentation, and a bit of failed hacking, I’ve come up with a good full-range Cine-EI LUT for...
Hacking Alexa’s Rec 709 LUT into a Sony FS7/F5/F55
A new, free app gives us the power to mix and match LUTs—even between cameras! This is what happened...
Shot Matching in DaVinci Resolve
On this week’s Under 5, Alexis van Hurkman from Ripple Training shows us how to match shots in Davinci...
TLCI and Camera Color: What a Difference a Prism Block Makes
TLCI’s developer says prism cameras and single sensor cameras respond to color in the same way. Thanks to Panasonic,...
